Messing around with long exposures at the local pond.
The weir is in full flow with both flood routes active beside the 3 main sluices, leading to a horse-shoe shape of white water.
These shots were taken in the evening. When I returned in the morning with the dog, the weir was back to it’s normal trickle
There was some major sun-spot activity, and increased sun-spots means an increase in the Northern Lights activity.
There had been solar-storm warnings, and this was expected to make the Lights visible as far south as Estonia.
So, armed with camera and tripod, off I went.
I didn’t go far, as the fog had come in, and the sky was 100% cloud.
So I shot this instead …
Staying local, there is a large old Scots Pine (if it wasn’t for the fog you could see it in the image above) near me that I’ve been wanting to shoot for a while … but make it different.
No cloud, no moon … hmm why not.
Off I trundled, camera, tripod and timer in hand and shot some star trails over the top of the tree.
This is 60 x 30 second images that have been layered together to show the motion of the Earth. I could have done this as one exposure, however the amount of light pollution would have meant a really rubbish image.
The Milky Way over the top of this tree would be a great shot, but unless there is a power cut that affects the entire central Scotland belt, I don’t think it’s going to realistically happen.
It’s been cold, wet, windy and snowy. In fact, the weather has been against me as every time the skies been clear, I’ve gone out to try to re-take star trails over Dedridge Pond, and within 10 mins of setting up, the clouds have came and hidden every thing, so I’ve given up and gone home.
I set out to take some long exposures of the weir at the pond and I’d just shot this image
and out came the snow Snow’s a bit of an understatement. Blizzard, really.
So I retreated under the bridge to keep the kit dry … and to carry on shooting
and from a slightly different angle
So I went out one night around the pond in the snow. It was clear – and bloody cold – and after I set up, out came the clouds and the clear skies vanished, along with the stars, leaving a flat, boring orange sky.
I’ve done this before, so I thought I’d try again.
It’s really quite easy to do (even more so in a car the size of mine), but the effects are simply stunning.
These were all shot with the posted 30mph speed limit (probably a bit slower than that), and are 13 second exposures.
I stood the tripod in the back of the car, with a leg wedged in to the seat fold, focused to infinity and used my remote sequence timer to activate the shutter. This meant that at no time while I was driving, did I have to touch the camera to activate it
It features a fair bit on this blog as it’s the closest interesting landscape thing near me. It’s a man-made pond that is in a mixed beech and oak wood and is a real piece of tranquility
October saw the arrival of a new torch, a 210 lumen CREE LED.
Smaller in size than the halogen, it takes 4 x C cells rather than 1 big 9 or 12 volt battery.
This has the obvious advantage of making the torch more ‘torch’ shaped than a small box with a large cone at one end. It also means that it’s more portable; it can slide in to the retaining loops on my camera bag quite securely, leaving both hands free to carry the tripod, balance etc.
The downside is it takes C cells and not a single rechargeable.
Still, based on current usage with cheap batteries it shouldn’t be an issue.